Margarita Mladenova on ‘The Fellowman’s Face’: It is difficult to love the ugly face of one’s fellowman

“Why do lofty ideas fail when put into human action? For me, this is the great subject of art today,” says director Margarita Mladenova in an interview with Zhaklin Dobreva about ‘The Fellowman’s Face’, based on ‘The Idiot’ by Fyodor Dostoevsky, Theatre Laboratory “Sfumato”, part of the Showcase programme. Continue reading Margarita Mladenova on ‘The Fellowman’s Face’: It is difficult to love the ugly face of one’s fellowman

Ivanka Apostolova Baskar: The Festival Continues to Inspire

Ivanka Apostolova Baskar talks to Anita Angelova about her impressions of the Varna Summer International Theatre Festival programme and the performances ‘Triptych’, ‘Cries from the Underground’, ‘The Great’ and ‘The Tempest’. Could you present yourself briefly, which organisation do you represent and what inspired you to come again to the Varna Summer International Theatre Festival? I am deeply grateful to have been invited here for … Continue reading Ivanka Apostolova Baskar: The Festival Continues to Inspire

Stoyan Radev on ‘Cries from the Underground’: Truth Can Only Be Cried Out

Zhaklin Dobreva speaks with director Stoyan Radev about ‘Cries from the Underground’ – Yordan Rаsin’s one-man performance based on Fyodor Dostoevsky’s celebrated novella ‘Notes from the Underground’, presented as part of the Showcase programme. Continue reading Stoyan Radev on ‘Cries from the Underground’: Truth Can Only Be Cried Out

Yordan Rasin on ‘Cries from the Underground’: The Underground Man speaks as if all of humanity were standing before him

“For me, going through this text has something purifying about it. Almost like a personal sermon – both to myself and to the audience,” actor Yordan Rasin shares with Zhaklin Dobreva in a conversation about his role in ‘Cries from the Underground’, based on Fyodor Dostoevsky’s ‘Notes from Underground’ and presented as part of the Showcase programme. Continue reading Yordan Rasin on ‘Cries from the Underground’: The Underground Man speaks as if all of humanity were standing before him

Angelina Gavrilova on ‘Triptych’ – Three Choreographic Worlds

Ballet Arabesque is.the only state dance compony beyond the system of the ballet ensembles. It comes to Varna Summer Festival with Triptych – a triple bill bringing together contemporary dance miniatures by choreographers Angelina Gavrilova, Arshak Ghalumyan (Staatsballett Berlin), and Filip Milanov. Zhaklin Dobreva speaks with Angelina Gavrilova, artistic director of the company as of this season, about the idea behind the production. Continue reading Angelina Gavrilova on ‘Triptych’ – Three Choreographic Worlds